A spoofy title sequence that turns Jason Voorhees into 007? Check. A Jean-Paul Sarte joke mid-slaughter? Check. Tom McLaughlin’s goofy sequel isn’t charmlessly inept like its 5 predecessors, but is instead a stylish, spirited horror comedy. It’s not that scary, but the zippy pace and tongue-in-cheek attitude go a long way to relieve the familiarity.
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